Collages

Snejana Stoyanova’s collages are constructed through cutting, layering, and interlacing vinyl elements. The works create woven visual surfaces that suggest traces, memory, fragmentation, and the quiet presence of material experience. Moving between structure and intuition, these collages explore how surfaces can hold time, gesture, and emotional residue.

Attempt to Fly

Attempt to Fly explores the tension between the human body and the idea of flight. Each work interweaves a photographic image of birds in motion with a drawn image of the human figure — hands, faces, portraits, bodies, and fragments of gesture.
The birds represent real flight: instinctive, physical, immediate.
The human image represents the inner construction of self: memory, longing, fear, identity, and the desire to transcend gravity.

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In Memory of Georgi Popov (Zhoro)

I dedicate Attempt to Fly to the memory of my dear friend Georgi Popov — to his life, his struggle with cancer, and a friendship that time and distance could never erase.

… “This is cancer. Nothing else. And this is me.”

Your words will stay with me, Zhoro.

 

Angel in the city

Angel in the City

Angel in the City serves as the prologue to Attempt to Fly. In this large-scale work, 75 × 50 in, a drawn angel is interwoven with a photographic urban crowd, placing the myth of flight inside the density and fragmentation of the city. The angel becomes a human projection of transcendence — not yet the real flight of birds, but the first imagined form of rising beyond gravity.

Attempt to Fly — Close-Up Videos

Traces

The “Traces” Collection, 2011, explores the visible and invisible marks we leave in the world through our actions, thoughts, words, and presence.

Touch

The “Touch” Collection, 2012, explores contact, memory, and the traces left by presence. Through layered and interlaced vinyl surfaces, the works suggest touch as both a physical gesture and an emotional imprint.
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Dual World

The “Dual World” Collection, 2024, explores the coexistence of opposing states — inner and outer, visible and hidden, order and instability. Through layered and interlaced vinyl surfaces, the works suggest a world built from tension, balance, and contradiction.